Thursday, July 3, 2008

Earth Painting

Earth Pigments used by Ulrike Arnold for her paintings.

Photo of Ulrike Arnold

The work of German and International artist Ulrike Arnold gives me the desire to go back and start burying my textiles in the garden or leaving them for the season to see what develops. There is a real joy at orchestrating but having little control over the end results of playing with mother nature's provisions.




Arnold works with natural earth pigments on her paintings. She works in Asia, America, Europe and Australia in some of the more extreme landscapes like deserts and salt lakes. She studies and works with the earth directly to create her work.




The pigments are mixed with waxes and oils and are worked into her canvases after she spends time learning about the geology and landscape of a region. She even works with meteorites.


Her canvases are huge and imposing like the landscapes she interprets.






Wednesday, July 2, 2008

Hoo Doo Canyons

Photo of Drumhellar Hoo Doos taken by Arlee Barr sometime this weekend.
Stolen with shame by Patricia Chauncey

I didn't always live here in this large city by the sea. I lived in Quebec as a little child and had the advantage of a double tongue. One French and one English.

I spent most of my childhood in Alberta. Living in little places where I could dig in the earth and find the past. Where I walked with my Grandmother and Great Grandmother on land that they knew and taught me.

I read Arlee Barr's blog tonight and am delighted that she has discovered my childhood landscape and playground. I learned my prairie eyes there and could see subtle differences in the landscape. How happy I was to see the little flowers and fragile lillies and wild strawberries.

And the rocks!
Arlee Barr provides me with comfort and inspiration nearly every day. She is a prolific artist with an incredible vocabulary of experimental techniques.
Check out her blog for more pictures of my childhood environment and for her brilliant and exuberant experiments!
http://arleebarr.squarespace.com/designjournal/

Monday, June 30, 2008

Laundry Sisters

Woke up this morning thinking about white work again. Today I am going to work on white pods and do some 3-d structuring and stitching to turn them into pupae. The stitchng will be done with the left-overs from the serging threads on the Solvy. I will also do a little burn with the tyvek envelope scraps and brush them with the Natural Sand texturing paste and some Irridescent interference. Should bring out the texture in the caps for the pods without losing white.

I am also going to make a silk screen and fill it with a number of textures I have been collecting. I keep losing the little screens and the larger one with many images on it will probably work better and be easier to store. The little ones are harder to stabilize when printing leaving a less precise image. This will mean doing the painting on the screen instead of using the photcopied imagery. One day a proper light unit might show up.

Joseph and I experimented last time and found that his puffy medium worked great on the stitched structures but the polypuff was just too thick. His (name unknown until he gets back) was much thinner. This made it a great way to articulate the stitching and not so good for printing the images to be burnt into. Not enough depth.

I am hoping the Babushka like units will be substantial enough to allow for a free floating center embryo. The problem has been crushing. Experimentation with stabilizers obliterated the diaphanous quality of the outer shells. A thinly stitched exoskeleton might work as a last component to the structure but this to be seen.

Bren is here with his trusty camera (mine really!) and will take a picture or two during the breaks.

Next fantasy entails diving bells that are huge balls large enough to fit a dancer! I found some and .... remember...not buying anything until next month and only if I have too!

Sunday, June 29, 2008

Coral Dreams

I dreamt I was living back in Barbados. The house, Dalney, had not been demolished and the reef was still healthy and intact. I knew I was there because the air was soft and clean and the sun warmed my bones.

I dreamt, like in the old days, I put on my wetsuit and breathing device and I swam out to the reef and dived the forty to fifty feet down to float among the antler coral and immerse myself in the animals. plants and coral. Brain coral was the best.

In real life I had many amazing experiences diving there. Once I looked under me and saw 25 Mantas. Another time I felt my leg being tickled and put my face under water to see thousands of bright blue fish. I dived through the coral and felt like a bird flying through a strange underwater forest. I used to love to swim underwater and have been seriously marked by what was there to see. I stepped on a spiny sea urchin and carried it's quill with me for nearly ten years.

Dalney, the home of the MacKenzies, had a beautiful 19th century house on the beach. It held all of the marks of British Colonialism including an old slave quarters at the back. The house had ghosts of Aunty Matilda and another Aunt who rocked an old mahogany chair on the porch.
There was a terrace that over looked the sea.

The workers in the house didn't have names . They were called Cook, Sewer, Nanny, Fixer.
I had a servant named Hamilton. We were both very surly. I was sixteen and she was probably not much older. Her sister was the laundress who came and handwashed the bedding and clothes by hand in a little bucket in the garden. She sang when she worked and I would hide to listen to her. I have never heard a more beautiful voice.

It was a strange place to live and I was there because it was my best friend's Granny's house.

It was the beginning of my political awareness because I was the grand daughter of a servant and a farm hand. I learned I was white and that many of the people who called themselves white
weren't. I felt ashamed of having white skin when I was there. I also felt ashamed of being the grand daughter of a servant. I was called an Ackey Back or something very similar. It meant white trash. Servants were search before they could go home after grueling days. I was shocked because I thought the world was equal and fair.

I also loved it there and loved the patriarch, Poppy. He was an ancient giant with no hair at all. He did push-ups on the beash. He sold all the pop in the Carribean and I didn't have water until I came home. I ate flying fish, ackee, bread fruit, delicious plaintain and avocado. All delivered on bicycles in the mornign with songs. I lived on rum and planter's punch and danced every night. Parties were called fetes. I loved my friend's father because he reminded me of James Bond and he played the Spanish guitar and taught me to play poker and was furious when he lost. He was kind, respectful and cultured and taught me some manners.

Lord Bill Montague married the MacKenzie's daughter. He was an enormous, fat man and wore a tiny bathing suit. He would scream and run down the beach yelling "TICKLES". I ran faster.
He laughed louder and happier than anyone I have ever heard.

In real life I sailed on an ancient sailing ship around the Islands and bashed my toe on an old cannon that was in the water. I swam with an enormous sea turtle and danced at the same place as Penelope Tree and the Rolling Stones. I sucked sugar cane and limes. Mangos came off the trees and bananas were like potatoes.

Life was perfect, though, when I was under the water. I still dive down and find the reef when I am doing chemo or surgery. I hear the laundry sister singing!

Tiny Bubbles

Cocoon Bodies Component One 2008 ( from scan) Each one is the size of a chicken's egg and made from Fiona Bowie's curtains.

I have spent the weekend texturing polyester with felting needles to give it strength and heat processing it to create diaphanous egg forms.

Keeping with the decision to buy nothing new for a month, all of the textiles are either re purposed from very old stuff or recycle entirely. Something about doing that makes the fabrics less precious and enables more spontaneity. Interesting that I didn't realize that inhibition was happening. One of the most satisfying textiles is a wine and gold polyester organza curtain that Fiona Bowie had on her window for years and sold for a buck at a street sale a few years ago. It has hung around the studio crawling out of the trunks since moving in. The fading has created very dyed and discharged looking areas and really takes on a fleshy appearance when broken down.

Other fabrics include a very iridescent white shawl scrap that really gains strength when messed with and a hoarded shimmering, golden scrap.

Hilary and I haven't been crossing paths in the studio because she is so busy working at Maiwa and teaching. We had a great meeting on Thursday and found materials for her workshop.

The new work is so much less taxing on the old body and is really happening. This is always a sign a block has been worked through and direction is much clearer. This is definitely a result of having to sort out work for students.

Practicing making structural supports and playing with pounding metal for jewelry is helping invent ways to create more sound and solid work. Gotta take another sculpture course.

The house is still a construction disaster zone and Tim starts working again on Tuesday leaving me with no bottom front stair and a balcony without a railing. My hobby lately is holding my tongue. Not successfully. It has been bitchin' hot finally and that has made working on hot asphalt tiles misery for Tim and Bren. Kimiko came to help give some directions and that helped.

The garden is producing food! Huge salad and garlic, little peas and rhubarb so far today. Looks like we can eat chard and basil in a few weeks and the peppers and tomatoes are growing. The berries are more than a month behind! Hundreds of apples on the trees so it will be a good year for chutney! Time to plant a pear or a plum tree.

Saturday, June 28, 2008

Ectoplasm

The work of Canadian film maker Guy Maddin are almost impossible to describe. He new work has taken historical imagery from many Winnipeg archives to create "My Winnipeg".

Guy Maddin is beyond dark and confounding. His films are often done in black and white and have the look of melodramatic films from the German Weimar Republic or agit prop films from old Rusian archives. He plays with stories and myths from a prairie context and from an isolated but more European Canadian community and pushes his imagery into very internal places. The films look as if they were made in the 1920's or 30's. His images of cold are jagged. His images of pain are wrenching and wretching. His portrayal of fear and anxiety become almost unbearable and extremely melodramatic. The sparce and impoverished environments transport me to the other wordly.

His understanding of the Icelandic and Norse imagination that has been transplanted to bleak Canadian prairie communities makes me want to move back to Winnipeg again.

His films include Tales From The Gimli Hospital, the silent film Dracula, Pages From A Virgin's Diary, and The Saddest Music in the World.

Fuel for inspiration.

Tuesday, June 24, 2008

Studio Sampling

Young has pulled together some very beautiful samples. I gave her yards of altered fabric to see what she can produce for pupae skins and other experiments. It was really great having her around because the place feels a little lonely this week without Joseph, her or Hilary.

Hilary called and generously sent a message for Young to apply at the studio with Isobel Sauers to do silk painting. I talked her out of taking a private school afterschool supervisor job because it will waste her energy and there are some textile jobs around right now. Too bad Joseph isn't here to shop his resume around.

It really is important to share information so we can survive fuinancially and socially in this work.

Young walked me through her installation about Walmart, the global economy and rice. It seems that some larger American Corporations are spending time marketing rice to Korea. Korea grows rice for it's own people. Young says that Asian imagery is intentionally used on packaging for American rice so that people will think it is from Asia. She challenges questions about global economy, food production and cheap labour and goods. Everything for the installation was purchased for very little money at Walmart.

Hope I can get the images up.

Roof not finished, missed calls from Lou Lou and now I only have one day with her, got a sinus infection.

All fixed with fresh raspberries and white chocolate. This was a way to help Brandon with his first tofu experience. Not so good....